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Un asimiento o parte de una bodega, con una superficie de frente hacia arriba, o de la dirección se tira, facilitando el uso.
Industry:Sports
Una grieta que se forma en la parte superior de un glaciar donde la sección móvil tira lejos el testero. También se llama un ' shrund.
Industry:Sports
Un punto di protezione installati permanentemente in un foro praticato nella roccia, a cui è associata una gruccia di metallo, avendo un foro per un moschettone o anello.
Industry:Sports
Un lungo bastone all'estremità di cui uno scalatore può apporre un quickdraw. Permette l'arrampicatore ritagliare un quickdraw al primo bullone su una salita di sport mentre ancora in piedi sul terreno. Questo è particolarmente utile se il primo bullone è alto e fuori della zona di comfort dello scalatore. Clip un bastone può essere comprato o facilmente fatto attaccando un rinvio a un bastone con un elastico.
Industry:Sports
Un escalador principiante pánico aferrándose a mano sostiene mientras buscaba desesperadamente un asimiento de pie.
Industry:Sports
Un tornillo usado para proteger una escalada sobre hielo escarpado o para configurar un sistema de rescate de la grieta. El más fuerte y más confiable son el tornillo de hielo moderno tubular que se extiende en una longitud de 18 a 23 cm.
Industry:Sports
Un bastone di bambù con una piccola bandiera in cima usato per segnare i percorsi su ghiacciai e la neve campi.
Industry:Sports
Una larga distancia entre dos puntos de protección que en algunos, pero no en todos los casos podría ser percibido como peligroso o aterrador. También puede utilizarse como un adjetivo para describir una ruta, o un tramo de una ruta.
A la porción larga de una ruta con protección mínima.
Industry:Sports
Un metodo di avviamento di una discesa in corda doppia da un bordo della scogliera, compiuto da seduto con le gambe sopra il bordo e poi gira intorno alla scogliera di fronte mentre piantare i piedi sul viso.
Industry:Sports
Edgar is an operatic dramma lirico in three acts (originally four acts) by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, freely based on the play in verse La Coupe et les lèvres (The Cup and the Lips) by Alfred de Musset. The first performance was given at the Teatro alla Scala in Milan on 21 April 1889.
Edgar, Puccini's second opera, was composed on a commission from the publisher Ricordi after the successful reception of his first stage work, Le Villi. The original version had four acts and was tepidly received. In January 1890, Ricordi published a revised version, including a different ending for act 2. In the autumn of 1891, Puccini revised the work again, cutting the last act and producing a three-act version which would again be revised in 1905.
In this final form the opera had even less success than in its original four-act structure. Some of the music that was cut in 1891 was reused in Tosca and became the beautiful act 3 duet, "Amaro sol per te m'era il morire!". The funeral march from act 3 was played at Puccini's funeral, conducted by Arturo Toscanini and the aria "Addio, mio dolce amor" (Farewell, my sweet love) from act 4 was sung.
Puccini finally gave up on Edgar and in later years, bitterly repudiated the work. On a copy of the score that he sent to a friend, the English woman Sybil Seligman, he wrote scathing remarks against parts of the score and amended the title to read:
E Dio ti GuARdi da quest'opera! (And may God protect you from this opera!)
The autograph of the acts 1 and 3 of the original version is preserved in the Archivio Ricordi in Milan. The autograph of the acts 2 and 4, which was believed lost till 2008, is owned by Simonetta Puccini, the composer's granddaughter.
Parallels to Bizet's Carmen are numerous. Both operas feature a confused young man (tenor: Edgar, Don José) who is struggling to choose between the pure chaste love of his home town girl (soprano: Fidelia, Micaëla) and the consuming passion of an exotic gypsy (mezzo-soprano: Tigrana, Carmen).
Industry:Drama
