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Wikipedia is a collaboratively edited, multilingual, free Internet encyclopedia supported by the non-profit Wikimedia Foundation.
Detective fiction is a sub-genre of crime fiction and mystery fiction in which an investigator or a detective - either professional or amateur - investigates a crime, often murder.
Industry:Literature
In literature, the deuteragonist is the second most important character, after the protagonist and before the tritagonist. The deuteragonist may switch from being with or against the protagonist depending on the deuteragonist's own conflict/plot.
Industry:Literature
Dialectic (also dialectics and the dialectical method) is a method of argument for resolving disagreement that has been central to European and Indian philosophy since antiquity. The word dialectic originated in ancient Greece, and was made popular by Plato in the Socratic dialogues. The dialectical method is discourse between two or more people holding different points of view about a subject, who wish to establish the truth of the matter guided by reasoned arguments.
The term dialectics is not synonymous with the term debate. While in theory debaters are not necessarily emotionally invested in their point of view, in practice debaters frequently display an emotional commitment that may cloud rational judgement. Debates are won through a combination of persuading the opponent; proving one's argument correct; or proving the opponent's argument incorrect. Debates do not necessarily require promptly identifying a clear winner or loser; however clear winners are frequently determined by either a judge, jury, or by group consensus. The term dialectics is also not synonymous with the term rhetoric, a method or art of discourse that seeks to persuade, inform, or motivate an audience. Concepts, like "logos" or rational appeal, "pathos" or emotional appeal, and "ethos" or ethical appeal, are intentionally used by rhetoricians to persuade an audience.
The Sophists taught aretē as the highest value, and the determinant of one's actions in life. The Sophists taught artistic quality in oratory (motivation via speech) as a manner of demonstrating one's aretē. Oratory was taught as an art form, used to please and to influence other people via excellent speech; nonetheless, the Sophists taught the pupil to seek aretē in all endeavours, not solely in oratory.
Socrates favoured truth as the highest value, proposing that it could be discovered through reason and logic in discussion: ergo, dialectic. Socrates valued rationality (appealing to logic, not emotion) as the proper means for persuasion, the discovery of truth, and the determinant for one's actions. To Socrates, truth, not aretē, was the greater good, and each person should, above all else, seek truth to guide one's life. Therefore, Socrates opposed the Sophists and their teaching of rhetoric as art and as emotional oratory requiring neither logic nor proof. Different forms of dialectical reasoning have emerged throughout history from the Indosphere (Greater India) and the West (Europe). These forms include the Socratic method, Hindu, Buddhist, Medieval, Hegelian dialectics, Marxist, Talmudic, and Neo-orthodoxy.
Industry:Literature
Dialogue (sometimes spelled dialog in American English) is a literary and theatrical form consisting of a written or spoken conversational exchange between two or more ("dia" means through or across) people. Its chief historical origins as narrative, philosophical or didactic device are to be found in classical Greek and Indian literature, in particular in the ancient art of rhetoric.
While the dialogue was less important in the nineteenth century than it had been in the eighteenth, it was not extinct. The British author W.
H. Mallock employed it successfully in his work "The New Republic," which was explicitly based on Plato's "Republic" and on the writings of Thomas Love Peacock. But the notion of dialogue reemerged in the cultural mainstream in the work of cultural critics such as Mikhail Bakhtin and Paulo Freire, theologians such as Martin Buber, as an existential palliative to counter atomization and social alienation in mass industrial society.
Industry:Literature
A diary (also called journal) is a record (originally in handwritten format) with discrete entries arranged by date reporting on what has happened over the course of a day or other period. A personal diary may include a person's experiences, and/or thoughts or feelings, including comment on current events outside the writer's direct experience. Someone who keeps a diary is known as a diarist. Diaries undertaken for institutional purposes play a role in many aspects of human civilization, including government records (e.g., Hansard), business ledgers and military records. In British English, the word may also denote a preprinted journal format.
Today the term is generally employed for personal diaries, normally intended to remain private or to have a limited circulation amongst friends or relatives. The word "journal" may be sometimes used for "diary," but generally a diary has (or intends to have) daily entries, whereas journal-writing can be less frequent.
Although a diary may provide information for a memoir, autobiography or biography, it is generally written not with the intention of being published as it stands, but for the author's own use. In recent years, however, there is internal evidence in some diaries (e.g., those of Ned Rorem, Alan Clark, Tony Benn or Simon Gray) that they are written with eventual publication in mind, with the intention of self-vindication (pre- or posthumous) or simply for profit.
By extension the term diary is also used to mean a printed publication of a written diary; and may also refer to other terms of journal including electronic formats (e.g., blogs).
Industry:Literature
Diction; Latin: dictionem (nom. dictio), "a saying, expression, word") in its original, primary meaning, refers to the writer's or the speaker's distinctive vocabulary choices and style of expression in a poem or story. A secondary, common meaning of "diction" means the distinctiveness of speech, the art of speaking so that each word is clearly heard and understood to its fullest complexity and extremity, and concerns pronunciation and tone, rather than word choice and style. This secondary sense is more precisely and commonly expressed with the term enunciation, or with its synonym articulation.
Diction has multiple concerns; register—words being either formal or informal in social context—is foremost. Literary diction analysis reveals how a passage establishes tone and characterization, e.g. a preponderance of verbs relating physical movement suggests an active character, while a preponderance of verbs relating states of mind portrays an introspective character. Diction also has an impact upon word choice and syntax.
Diction comprises eight elements: Phoneme, Syllable, Conjunction, Connective, Noun, Verb, Inflection, and Utterance.
Industry:Literature
Didacticism is a philosophy that emphasizes instructional and informative qualities in literature and other types of art. The term has its origin in the Ancient Greek word διδακτικός (didaktikos), "related to education and teaching", and signified learning in a fascinating and intriguing manner.
Didactic art was meant both to entertain and to instruct. Didactic plays, for instance, were intended to convey a moral theme or other rich truth to the audience. An example of didactic writing is Alexander Pope's An Essay on Criticism (1711), which offers a range of advice about critics and criticism. An example of didactism in music is the chant Ut queant laxis, which was used by Guido of Arezzo to teach solfege syllables.
Around the 19th century the term didactic came to also be used as a criticism for work that appears to be overly burdened with instructive, factual, or otherwise educational information, to the detriment of the enjoyment of the reader (a meaning that was quite foreign to Greek thought). Edgar Allan Poe even called didacticism the worst of "heresies" in his essay The Poetic Principle.
Industry:Literature
A dirge is a somber song or lament expressing mourning or grief, such as would be appropriate for performance at a funeral. The English word dirge is derived from the Latin Dirige, Domine, Deus meus, in conspectu tuo viam meam ("Direct my way in your sight, O Lord my God"), the first words of the first antiphon in the Matins of the Office for the Dead, created on basis of Ps. 5,9. The original meaning of dirge in English referred to this office.
Marcello Sorce Keller, “Expressing, Communicating, Sharing and Representing Grief and Sorrow with Organized Sound (Musings in Eight Short Sentences)”, in Stephen Wild, Di Roy, Aaron Corn, and Ruth Lee Martin (eds.), Humanities Research: One Common Thread the Musical World of Lament, Australian National University, Vol. XIX(2013), no. 3, 3-14.
Industry:Literature
Docufiction (or docu-fiction, often confused with docudrama) is the cinematographic combination of documentary and fiction.
It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.
More precisely, it is a documentary contaminated with fictional elements, in real time, filmed when the events take place, and in which someone – the character – plays his own role in real life. Film genre in expansion, it is adopted by an increasing number of filmmakers.
The new term docufiction appeared at the beginning of the 21st century. It is now commonly used in several languages and widely accepted for classification by international film festivals. Either in cinema or television, docufiction is, anyway, a film genre in full development during the first decade of this century.
The word docufiction is also sometimes used to refer to literary journalism (creative nonfiction).
Industry:Literature
Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning "action", which is derived from the verb meaning "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night by Eugene O’Neill (1956).
The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene. Thalia was the Muse of comedy (the laughing face), while Melpomene was the Muse of tragedy (the weeping face). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe "drama" as a genre within their respective media. "Radio drama" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.
Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.
Industry:Literature
